David Newman, conductor
Varèse Sarabande Symphony Orchestra
Produced by Robert Townson
Soloists: Sara Andon, flute • Belinda Broughton, violin • Bruce Dukov, violin
Stephen Erdody, cello • Dan Higgins, alto saxophone
Mike Lang, piano • Bobbi Page, vocal • Suzanne Waters, vocal
Recorded and Mixed by Dennis Sands
Digital Recordist and Editor: Adam Olmsted
Orchestra Contractor: Gina Zimmitti • Choir: Hollywood Studio Chorale
Vocal Contractor: Sally Stevens • Booth Score Reader: Mark Graham
Librarian: Victor Pesavento
Music Preparation: JoAnn Kane Music Service
Recorded April 15 and 16, 2015 at The Newman Stage, 20th Century Fox
Mastered by Patricia Sullivan • Cover Painting by Matthew Joseph Peak
David Newman, conductor
Varèse Sarabande Symphony Orchestra
Produced by Robert Townson
Soloists: Sara Andon, flute • Belinda Broughton, violin • Bruce Dukov, violin
Stephen Erdody, cello • Dan Higgins, alto saxophone
Mike Lang, piano • Bobbi Page, vocal • Suzanne Waters, vocal
Recorded and Mixed by Dennis Sands • Digital Recordist and Editor: Adam Olmsted
Orchestra Contractor: Gina Zimmitti • Choir: Hollywood Studio Chorale
Vocal Contractor: Sally Stevens • Booth Score Reader: Mark Graham • Librarian: Victor Pesavento
Music Preparation: JoAnn Kane Music Service
Recorded April 15 and 16, 2015 at The Newman Stage, 20th Century Fox
Mastered by Patricia Sullivan • Cover Painting by Matthew Joseph Peak
℗ © 2015 Varèse Sarabande Records, LLC. All rights reserved.
1985 was a cultural lynchpin for a whole generation and its treasured films produced some of the most deeply melodic themes from the decade. We traveled through time in Back to the Future, hunted for treasure with The Goonies and hung out with friends in St. Elmo’s Fire. Music was always part of the adventure; the film scores of composers like James Horner, Henry Mancini, John Barry and Alan Silvestri, Bruce Broughton and Michael Kamen, instantly conjured up the characters we love from their movies.
Now 30 years later, music fans can re-experience the music from these films and can celebrate the launch of a new film music symphony, the Varèse Sarabande Symphony, featuring an all-star assortment of the best musicians in Los Angeles, including musicians from the Los Angeles Philharmonic, LA Opera, Los Angeles Chamber Orchestra, Pacific Symphony, and the Hollywood Bowl Orchestra, alongside some of Hollywood’s most legendary session musicians, conducted by composer David Newman. The album was recorded on the lot of 20th Century Fox in April of 2015, on the Newman Scoring Stage, and was
produced by the label’s Robert Townson, who also wrote the liner notes for the recording.
The album also features brilliant soloists, including flutist Sara Andon, violinists Belinda Broughton and Bruce Dukov, cellist Steve Erdody, pianist Mike Lang, saxophonist Dan Higgins and singers Bobbi Page and Suzanne Waters.
Excerpts from producer Robert Townson’s 1985 At The Movies liner notes
In one of his finest works for the movies, Delerue composed his score for flute, orchestra and choir. Flutist Sara Andon has become one of Delerue’s great champions in modern times, performing his A Little Romance theme internationally for concerts in Macau, Poland, Spain, as well as Los Angeles. She has also played his epic concert suite from Something Wicked This Way Comes and now adds the stunning Agnes Of God to her own concert repertoire, with performances already planned in Los Angeles and Tenerife. Accompanying Sara on harp is the legendary Gayle Levant.
James Bond’s paramour du jour for this adventure is State Geologist Stacey Sutton (Tanya Roberts) and it’s this relationship that inspires one of John Barry’s most haunting and alluring Bond melodies. Written for solo flute and orchestra, this theme is the heart of the score, and is also featured in the Duran Duran-performed title song. Flute soloist Sara Andon makes the seductive melody her own, breathing not only romance but also hints of intrigue and mystery into the tune. The second half of our concert suite gives us a classic and unmistakable Bond action theme, drawing an altogether different character from Andon’s flute. When we needed an original “rock-flute” improv solo to add a little danger and dazzle to our orchestra, we called on Andon herself to write it.
“The Children’s Theme” was composed to represent the “innocence and purity” of Pacino’s son Ned and also to sing for all the young boys who have lost their lives senselessly on the battlefield.
Written for legendary flutist Sir James Galway, Corigliano introduced the theme on tin whistle (an “instrument for kids”) and develops it on flute as Ned grows. Thirty years after having composed it, Corigliano’s powerful, haunting and poignant theme is finally finding its way to the concert hall thanks to internationally acclaimed flute soloist Sara Andon.
This opportunity sent the composer excitedly searching his archives for the original manuscripts, preparing this version — now redubbed “The Children’s Song” for Andon’s upcoming performances.