rsz_cinema-morricone_-an-intimate-celebration-min-scaled-min

Cinema Morricone:
An Intimate Celebration

Sara Andon, flute • Simone Pedroni, piano

Music composed by Ennio Morricone (1928-2020)
Transcriptions and arrangements by Simone Pedroni

Produced by Robert Townson

Recorded and Mixed by Rich Breen • Assistant Engineer: Tyson Lozensky
Recorded at Pianella Studios, Malibu, California, August 15–17, 2018
Mastered by Patricia Sullivan
at Bernie Grundman Mastering, Hollywood, California

Licensed from Robert Townson Productions
Photos by Michael Grecco Productions

rsz_cinema-morricone_-an-intimate-celebration-min-scaled-min

Cinema Morricone: An Intimate Celebration

Sara Andon, flute • Simone Pedroni, piano

Music composed by Ennio Morricone (1928-2020)
Transcriptions and arrangements by Simone Pedroni

Produced by Robert Townson

Recorded and Mixed by Rich Breen • Assistant Engineer: Tyson Lozensky
Recorded at Pianella Studios, Malibu, California, August 15–17, 2018
Mastered by Patricia Sullivan
at Bernie Grundman Mastering, Hollywood, California

Licensed from Robert Townson Productions
Photos by Michael Grecco Productions

Tracklist

CD1

Once Upon A Time In The West
1. Theme – Farewell To Cheyenne – The Man With The Harmonica
10:24

The Legend of 1900
2. Playing Love
5:01

The Secret of The Sahara
3. Saharan Dream
4:20

Cinema Paradiso
4. Cinema Paradiso – Childhood and Manhood  – Love Theme*
7:51

The Mission
5. Brothers – Climb – Falls – Gabriel’s Oboe – Remorse – On Earth As It Is In Heaven
11:48

6. Per Le Antiche Scale (Down The Ancient Staircase) 2:56

7. Giù la testa (A Fistful of Dynamite) 5:31

CD2

Days of Heaven
1. The Farmer and The Girl – Happiness – Harvest– Threshing
9:18

2. Fateless3.13

3. I Guardiani del Cielo4:40

Once Upon A Time In America
4. Main Theme – Poverty – Cockeye’s Song – Deborah’s Theme
12:53

5. Love Affair 3:47

6. Per Un Pugno Di Dollari
(A Fistful of Dollars)
1:56

The Untouchables
7. Ness and His Family – Al Capone – Death Theme – The Untouchables
10:19

The Good, The Bad and The Ugly
8. The Ecstasy of Gold
3:16

Flutes: C-flute, alto flute, bass flute, piccolo
Piano: Steinway & Sons, Model D Concert Grand
Cinema Paradiso Love Theme Composed by Andrea Morricone

℗ © 2019 Robert Townson Productions LLC


Cinema Morricone is now available on Sony Classical
https://sonyclassical.lnk.to/CinemaMorricone

An excerpt from the Cinema Morricone liner notes by producer
Robert Townson:

As we celebrated the maestro’s 90th birthday at the end of 2018, on November 10, I think it is fair to say that we live in Ennio Morricone’s world. As a composer, over the last sixty years, he has swept us all up. He has reached us. Touched our hearts and our souls. Transported us. Taken us on adventures. There is something so intimate and personal in his music that all Morricone fans can sense. It leaves us feeling a unique and profound connection to these scores. A bond with the maestro himself. The beauty of the music, and the melodies, is almost spiritual. It goes beyond music. Beyond the notes. His music is transcendental. I have always been aware of this, and this awareness has only intensified with time.

I have wanted to record an album that highlights this aspect and that really reveals the way I feel about the maestro’s music. To express this in the way I wanted to, it needed to be very personal. My vision would not involve a symphony orchestra but instead speak to the heart of the music itself and the melodies as directly as possible. To reveal them. What I heard in my mind was flute and piano. How many of our favorite Morricone melodies have been introduced this way? To be sure, the maestro’s orchestrations have included voices and choruses of all imaginable varieties, not to mention bells, har­monicas, whips and guns … whistles, guitars and trumpets, strings, winds and percussion!

To distill the Morricone sound down to just two musicians and have any chance of doing so successfully,I neede d two absolute masters musicians who, themselves, would transcend the music. To perform not just the notes but to find the soul of what is on the page. I want to feel the music more than hear it. That’s what I get from Morricone and what I wanted to explore in the new recording. They needed to share that passion for this music and I wanted to hear it in the performance.

Creating the program for these two extraordinary musicians to take us on a journey through Ennio Morricone’s six-decade-long career allowed me to be daring and demanding in my selections. Simone himself handled the transcriptions of the material and did so in a way that would truly challenge them both as virtuosos, immediately establishing the level we were hoping to attain. The music of Ennio Morricone gives us some of the most beautiful melodies that have ever been composed for film, but this is by no means just a collection of love themes or beautiful melodies. This is iconic, beloved music but also serious repertoire that shows the range and diversity of the master. All hyperbole aside, it truly takes us on an epic journey. So many styles are explored that the techniques required from both Sara and Simone turned Cinema Morricone into a masterclass of flute and piano performance. All in service to the art and artistry of the maestro’s timeless music.

These recordings represent our collective offerings of some of our favorite film music. There are scores represented here that are on everyone’s list of favorites. But there are others that are more personal and may introduce cer­tain pieces to even the most devoted Morricone aficionado. That said, and speaking as someone who has known these scores for the better part of my lifetime, I have never heard them like this. Every selection took me someplace I have never been before and did not want to leave. My first listen to the mixed selections, in album sequence, left me hypnotized and with tears in my eyes. This recording soars beyond what I even dared to dream for this album to achieve. I hope that you may share some of these feelings.

Cinema Morricone: An Intimate Celebration is available on Sony Classical
https://sonyclassical.lnk.to/CinemaMorricone

Commenting on her recent performances in the Canary Islands, Sara Andon wrote:

“Back home in LA now after a beautiful week being a part of the incredible FIMUCITE FILM MUSIC FESTIVAL in the Canary Islands of Spain.

“As I was on the plane ready to come home to Los Angeles, it gave me a chance to breathe and reflect how grateful I am for so many things – including the incredible aspects of getting to perform this special “CINEMA MORRICONE” recital, and especially at this international FIMUCITE FILM MUSIC FESTIVAL with world-class Italian pianist Simone Pedroni. One is the extreme emotions I feel while playing this otherworldly music of the living legend Ennio Morricone, and the organic flow and spontaneity in the moment that can be shared musically in the telling of these stories. Also, some of the greatest experiences come from getting to visit and talk with audience members after the concert and hear each of them enthusiastically express how the music made them feel, what emotions they went through, either hearing it for the first time, or what memories hearing this music brought to them from days gone by.

– A little girl who had never heard the flute before in a live concert, and was so happy to finally hear it and had so many delightful questions about the C flute, as well as the alto flute, the bass flute and piccolo, and the different effects and sounds of the flute in this concert.

– Another women, with tears in her eyes, shared that on this concert day marked the 15th year, to the day, that her father passed away and Morricone was his favorite composer, and that she grew up hearing his music all the time in the house. And being at this concert, she said she could feel her father’s soul right there with her, and that in the 15 years that he has been gone, she never felt closer to him than at this moment, at this concert.

These are only a few of so many stories shared as result of hearing the magic of Morricone’s music in this intimate way, the amazing variety, the subtle nuances, the beauty and the true power it possesses. It is moments like these that continue to validate how important music is in people’s lives and how it unites people of all cultures, ages, and backgrounds, and how powerful it is in bringing people together from all over the world for the love of music.”

CINEMA MORRICONE REVIEWS

“Sara Andon’s is a rich, full-bodied sound that soars above Simone Pedroni’s perfectly-balanced piano lines. It’s a simple concept that allows to shine not only the performers – which they do, and brightly – but also Morricone’s seemingly effortless gift for melody”

BBC Music Magazine

“Pedroni’s piano and the flutes of the Andon (more precisely a flute in C, alto, a piccolo and a bass flute) literally intoxicated the listeners with an enveloping, vibrant, passionate and exciting sound, with such emotion that the audience was left breathless.”

Massimo Privitera, Colonne Sonore

Cinema Morricone
Recording Sessions and Concerts
Downloadable Photos PDF

Cinema Morricone
Concert booking information
Robert Townson Productions PDF